Summary

In the two-and-a-half weeks since Alejandro G. Iñárritu ‘s “ Digger ” opened in theaters, it has already taken on a mythic status that goes beyond, and, in most viewers’ minds, completely obliterates, the movie’s actual content. In keeping with the film ‘s maximalist vibe, the noise around it keeps whipsawing in different directions, with defenders calling it a misunderstood masterpiece and detractors equally fervent in calling it a complete artistic disaster. Even before the movie was released, the polarities emerged.

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