Summary

Yamazaki, who rebooted the genre and took it to a new peak in the revelatory 2023 retro kaiju classic "Godzilla Minus One," works with a quality that none of the filmmakers of recent decades has summoned: a fairy-tale innocence, an immersion in the annihilating heavy-metal poetry of Godzilla — the way the destruction of a city can become a spectacle out of a dream (which is to say, a national nightmare).

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