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‘Closing Night’ Review: Sarah Paulson and Naomi Watts Are Warring Sisters in Cody Fern’s Deliciously Histrionic Melodrama
Toward the end of the deep-feeling, deliciously histrionic drama “Closing Night,” the film shifts tone.
Summary
Toward the end of the deep-feeling, deliciously histrionic drama “Closing Night,” the film shifts tone. The first two acts — a whirlwind of long-deferred confrontations and fiery disclosures — lean on lively dark comedy as a pair of warring sisters explode with decades of rage and resentment.
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