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‘Woman Unknown’ Review: Some More Problematic Sex — and Its Consequences — by Denmark’s May el-Toukhy
Against the rubble gray and stiff mahogany with which director May el-Toukhy washes out her post-Second World War Copenhagen, the pops of crimson in “Woman Unknown” announce a stark symbolism that’s about as subtle as the red swastika…
AI Summary
The film “Woman Unknown” is set in post‑Second World War Copenhagen, where director May el‑Toukhy uses a gray, rigid aesthetic. The story is punctuated by bright crimson elements, most notably a red swastika that appears on the front door of the main character, Marie, played by Mathilde Arcel.
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