AI Summary

Bill Irwin’s Broadway debut of *The Imaginary Invalid* opens with a striking visual clash: a La‑Z‑Boy‑style brown leather recliner sits amid lavish 17th‑century French costumes that evoke “brilliantly plumed vainglorious peacocks.” Irwin leans into clowning, delivering a broadly comic performance that balances slapstick with pointed critiques of contemporary American health‑care issues. The production’s set and costume choices underscore the juxtaposition of historical excess and modern concerns, making the humor a central vehicle for its commentary.

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