AI Summary

Moisés Kaufman and Amanda Gronich’s new Broadway play “Here There Are Blueberries” dramatizes the Holocaust by interspersing blown‑up Nazi photographs with live actors. The production’s staging repeatedly forces the audience to choose between following a performer or a projected image, and the reviewer notes that viewers’ attention inevitably shifts to the photographs. This visual strategy underscores the playwrights’ claim that “a few images speak much louder than many words,” suggesting that the stark historical pictures dominate the theatrical experience.

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