AI Summary

The author recalls their first ocarina, purchased at a hippy shop in Birmingham that also sold dreamcatchers; it was a circular, brick‑coloured instrument adorned with zig‑zag patterns and likely intended to appear “ethnic.” Years later, while backpacking in China, they discovered charcoal‑dark, pebble‑smooth pendant ocarinas that seemed naturally formed, weather‑hewn and igneous in appearance. These contrasting experiences frame the piece’s reflection on finally learning to play the instrument.

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